As I write this I’m on a train bound for Tokyo, the airport, and an Air Canada plane. We’re travelling at a medium speed of about 220 kph—our Japan Rail Pass doesn’t cover the really fast trains. This travel in Japan has been getting very comfortable, and we’ll miss it. Things run efficiently, yet are relaxed, at least to my western eyes. No doubt, there’s a whole set of rules we’re contravening, yet are blissfully ignorant of. People have been incredibly helpful and friendly. The Japanese aesthetic sense seems to be intertwined in everything from the care taken to perfectly align the packaging on the shelves in shops to the gorgeous clothes and carefully coiffed hair-styles. Wearing kimonos may be on the decline, but the refinement in the decidedly feminine fashion is a very Japan interpretation of western dress. Kyoto was an amalgam of all that we’ve seen and did on our visit to Japan, and so reinforced yet gave greater nuance to my impressions of Japan.
We’d hired a guide to accompany us for a couple of days, who showed us many temples and shrines—it’s hard now to keep track of all that we saw. With the help of Yuki, our guide, and Tammy Ota, who helped us with our itinerary, we saw, did and understood more than we could ever have achieved on our own. The cultural highlights included visits to the Golden Temple and the Kiyomizu-Dera Temple—there are over 1600 Buddhist temples in Kyoto, many of them set in a beautiful Japanese garden. The Shinto Shrines each dedicated to a different god were everywhere, too, the most popular with the hundreds of middle-school children we saw on their annual school field trip were those dedicated to match-making. We walked on the nightingale floor of the Nijo-jo Castle, the home of the Shogun. Under another guide’s direction, we visited the private home of a descendent of the imperial family where Ruth and I got to participate in a shortened version of a tea ceremony—they can last for 4 hours—and had a calligraphy lesson. Later we feasted on shabu-shabu (?), while a Maiko--a Geisha-in-training--entertained us. We also painted flowers on cotton handkerchiefs—Japanese women carry them around in their purses to use as napkins and handtowels, instead of the usual paper products, a practice that should be exported--and watched a guy decorate obis. It’s all a bit of a blur right now. The shopping in Kyoto was very cool. There are plenty of gee-gaws and doo-dads, but the quality of most stuff was really good. Canada customs will be happy with our contributions to the Canadian economy...
Here is an assortment of photos of Kyoto, probably the highlight of our visit to Japan.
Geishas, or rather as I was informed 'Geikos', seem to be more than a tourist attraction. These posters advertize a festival of Maiko dancing. I'm not sure what to think about it. We saw several geishas up close, who were captivating, but our guide said that she'd rather have her daughter be a doctor.
Ruthie's fascination with Mac-a-don-a-ruda, where they serve McHotdogs--skinny wieners served on a bun with ketchup and scrambled eggs.
A welcome diversion: a public footbath on an outdoor Kyoto city train platform.
How street cleaning is done in Kyoto. These bamboo brooms are also used to sweep the gardens of fallen debris.
At the Manga Museum (Japanese print animation), where we saw a great exhibition of the works of Sigiura, a early 20th century manga pioneer. The Museum, operated jointly by the city and Kyoto Seika University, gave me a much greater appreciation of this serious genre, its obvious parallels to Japanese traditional art, and the breadth of its material, which caters to readers/viewers of every age.
Our guide liked to take our picture in front of famous views. Kinda obstructs the view, though, don't you think? This was taken in the garden of the castle of the Shogun.
Our Maiko, a geisha trainee. This 16-year-old gets to become a geisha at age 20. There are only 100 Maikos in Japan.
We had a chance to speak to our Maiko with the help of our interpreter. On one hand, she seemed like a shy teenager, but yet refined and worldly, on the other. Depending on which person you speak to, interest in traditional culture is on the upswing, and so are applications to become a Maiko. Our guide informed us that it's not something most parents would be thrilled to see, as she would have to integrate a traditional approach to entertaining with modern-thinking clients.
Getting a chance to paint handkerchiefs. Donna, you would have loved this one.
Sorry, but these pictures are out of sequence. Pretend you're in my living room watching slides of our Japan trip. Here's where I stop the projector and fiddle with the cartridges. Perhaps now is a good time for a stretch and a bathroom break. Cheese crackers, anyone?
This picture is taken at the Golden Pavilion. Incredibly, this boat-shaped thingy is one pine tree and is pointed toward the lake surrounding the golden pavillion, sailing off to good fortune. Unlike the pavilion, this tree really is old, 600 years old.
This picture is taken at the Golden Pavilion. Incredibly, this boat-shaped thingy is one pine tree and is pointed toward the lake surrounding the golden pavillion, sailing off to good fortune. Unlike the pavilion, this tree really is old, 600 years old.
I stopped in an art supply shop where they grind their own pigments and was gob-smacked by the shelves and shelves of pigment jars. I was sorely tempted to bring some home. Gwen, imagine big jars of real lapis-lazuli. I bought some brushes instead.